Thursday 31 December 2015

New York radio - WABC - 1970 - 1971 - 1972 - 1973

1970.
1970
1971.
1971
1972.
1972
Ron Lundy, 1972.
1973
left to right: Jay Reynolds, Broadway show-producer Hal Prince, Frank Kingston Smith, Rick Sklar, Johnny Donovan, Harry Harrison and Bruce Morrow in 1973, when WABC featured a promotion Broadway show 'Valentines to Broadway'. This photo was taken outside of the Shubert Theater.
1974

1 9 6 2

When Harold L. Neal, Jr. was named General Manager of WABC, he was charged with making WABC successful in terms of both audience and profits. Neal had been at WXYZ in Detroit. By 1960, WABC was committed to a nearly full-time schedule of top-40 songs played by upbeat personalities. Still, WABC played popular non-rock and roll songs as well, provided they scored well on the Top 40 charts. WABC's early days as a Top 40 station were humble ones.

WINS was the No. 1 hit music station and WMCA, which did a similar rock leaning top 40 format, was also a formidable competitor, while WABC barely ranked in the Top Ten. Fortunately for WABC, the other Top 40 outlets could not be heard as well in more distant New York and New Jersey suburbs, since WINS, WMGM, and WMCA were all directional stations. WABC, with its 50,000-watt non-directional signal, had the advantage of being heard in places west, south, and northwest of New York City, a huge chunk of the growing suburban population and this is where the station began to draw ratings. 

Early in 1962, WMGM, owned by Loew's, which then owned MGM, was sold to Storer Broadcasting. Upon its sale, WMGM reverted to its original WHN call letters and switched to a middle-of-the-road music format playing mostly non-rock artists such as Frank Sinatra, Nat King Cole and Andy Williams.

Sam Holman was the first WABC program director of this era. Under Holman, WABC achieved No. 1 ratings during much of 1962, after WMGM reverted to WHN. By the summer of 1963, WMCA led the pack among contemporary stations, with WABC at No. 2 and WINS slipping to third place. It has been said, but is difficult to verify, that WMCA dominated in the city proper, while WABC owned the suburbs. This would be consistent with WMCA's 5,000-watt directional signal.

Especially in the afternoons and evenings, WABC was the station that teenagers could be heard listening to on transistor radios all over the New York metropolitan area. 

Due to its strong signal, the station could be heard easily over 100 miles away, including the Catskill and Pocono Mountains, and through much of Connecticut and Rhode Island. 

After sunset, when AM radio waves travel farther, WABC's signal could be picked up around much of the Eastern U.S. and Canada

Saturday 26 September 2015

Elizabeth Fink * 7 June 1945 + 22 September 2015


Elizabeth M. Fink, a fiery advocate for society’s outcasts who devoted much of her law career to vindicating and compensating inmate victims of the 1971 Attica prison uprising, died on Tuesday, 22 September 2015 in Brooklyn. She was 70.

Her brother and sole immediate survivor, the photographer Larry Fink, said the cause was cardiac arrest.

Born into leftist politics as a self-described “red diaper baby,” Ms. Fink represented a panoply of pariahs over four decades. They included Cathy Wilkerson, who was accused in a Weather Underground bomb-making conspiracy; members of the Puerto Rican nationalist group F.A.L.N.; a Black Panther Party leader who was charged with attempted murder in a machine-gun attack on two New York City police officers; Lynne F.Stewart, a fellow radical lawyer; and an Algerian immigrant who pleaded guilty in a plot to bomb a Manhattan synagogue.

Ms. Fink was just one month out of law school in 1974 when she helped draft a $2.8 billion civil suit on behalf of inmates who were killed and brutalized during and after the bloody revolt at the Attica Correctional Facility, a maximum-security state prison in western New York. The riot was incited by overcrowding and other prison abuses.

When a five-day siege by state troopers ended, 10 corrections officers and civilian employees and 33 prisoners were dead. All but one guard and three inmates were killed in what a prosecutor branded a wanton State Police “turkey shoot.”

In 2000, Ms. Fink, as lead counsel in the federal civil rights case, won an $8 million settlement from the state, plus $4 million in legal fees.

She waged her fights both in the courts and in the court of public opinion. But unlike Ms. Stewart, who was convicted of supporting terrorists by passing messages from an imprisoned client, an Egyptian cleric, Ms. Fink never pivoted from conventional advocacy to illegal acts — although she had been tempted in the 1970s, she admitted.

“We were lawyers, but we were revolutionaries in our hearts,” she was quoted as saying in Bryan Burrough’s book “Days of Rage: America’s Radical Underground, the FBI, and the Forgotten Age of Revolutionary Violence,” which was published this year.

Many of the era’s radicals, she said, were on a quest for racial justice, inspired by the revolutionary oratory of the Black Panthers, who advocated black power, self-defense and, if necessary, violence.
“The civil rights movement had turned bad, and these people were ready to fight,” Ms. Fink was quoted in Mr. Burrough’s book. “And yeah, the war. The country was turning into Nazi Germany, that’s how we saw it.

“Do you have the guts to stand up? The underground did. And oh, the glamour of it. The glamour of dealing with the underground. They were my heroes. Stupid me. It was the revolution, baby. We were gonna make a revolution. We were so, so, so deluded.”

Elizabeth Marsha Fink (she was named for Elizabeth Gurley Flynn, a founder of the American Civil Liberties Union and later national chairwoman of the Communist Party USA) was born in Brooklyn on 7 June 1945.

Her father, Bernard, was a lawyer. Her mother, the former Sylvia Caplan, was a nuclear weapons protester and later, at the United Nations, a representative of the Gray Panthers, an elder-rights group that cast itself there as a nongovernmental organization.

Ms. Fink graduated from Reed College in Portland, Ore., in 1967 and from Brooklyn Law School.
An acolyte of the defense lawyer William M. Kunstler (she later mentored his daughter Sarah, also a lawyer), Ms. Fink typically represented criminals and radicals pro bono from her Brooklyn office while more respected clients paid the freight. (One was O. Aldon James Jr., the former president of the prestigious National Arts Club, who was ousted over allegations of misuse of club money and property. She described him as a “1 percent” type but added, “He acts like a 99 percent.”)

In 1990, Ms. Fink did a sprightly dance at the defense table, then wept, when she won the release of Dhoruba al-Mujahid bin Wahad, a former Black Panther who had served nearly 19 years in prison for the 1971 attempted murder of two police officers assigned to guard the home of the Manhattan district attorney, Frank S. Hogan. The conviction was reversed after she and her co-counsel, Robert Boyle, in a civil suit, produced evidence that had been withheld by the authorities at earlier trials.

The Attica lawsuit pursued by Ms. Fink and other lawyers, including her co-counsel, Michael Deutsch, against an unrepentant state was chronicled in “Ghosts of Attica,” a Court TV documentary broadcast in 2001.

Her tenacity in the Attica case even won plaudits from Dee Quinn Miller, whose father, William Quinn, was the only guard killed by inmates during the uprising.

“We both were after the truth,” Ms. Miller said in a phone interview on Thursday.

In 1997, the lawyers won $4 million for one of the inmates, Frank B. B. Smith, a high school dropout who by then had become a paralegal in Ms. Fink’s office. His award was later reduced to $125,000; others went as low as $6,500.

In 2006, Ms. Fink helped free a Jordanian immigrant, Osama Awadallah, who had been accused of perjury when he denied knowing one of the Sept. 11 hijackers. Her recollection of the case a year later suggested that while she rejected political violence, her fervor for social justice was inviolate.
“In the middle of that case,” she told the Reed College alumni magazine, “the prosecutor got so crazy with me, he said I was jeopardizing the Republic. I took that to be one of the best compliments I have ever received.

“Jeopardizing the Republic. I think I’d like that on my tombstone.”

published by The New York Times as:

Elizabeth M. Fink, a lawyer for Attica inmates and radicals dies at 70
by Sam Roberts



Tuesday 14 April 2015

1970s New York City

The construction of the World Trade Center seen from New Jersey, in 1970; the North Tower was completed first. 
World Trade Center under construction circa 1970.
a few weeks later looking from N.J.
12 July 1971
early 1971.
1971.
2nd Avenue with 26th Street looking North - 1972.
New York's dark side - 1970s.
Apollo Theater - 1971.
5th Ave. & 39th Street on 30th April 1972 - Joe Testagrose photo. Rita Seale wrote in 2 November 2014: I have such a nostalgia for this area. I worked at 10 E. 40th Street for 20 years beginning in 1971. Kress was a great store - multi-leveled Art Deco design inside as outside, and Woolworth's was across 5th Ave. Both stores had long lunch counters. Lord & Taylor, Abraham & Strauss, Peck & Peck and B.Altman a few blocks down on 34th Street.
Broadway & 42nd Street on 4th June 1972.
'The Godfather' release date: 15 March 1972, at Loew's State Theater.
Broadway, July 1972.
Spanish Harlem, July 1972
Mulberry Street looking North, Little Italy, in the 1970s. 
'The exorcist' was realeased on 26 December 1973. This is probably Spring 1974.
10 years before, in 1964, the smoker's hair cut was shorter but the smoking was the same...
looking North up 5th Avenue from 42nd Street on 9th September 1974.
New York bay on 4th July 1976
9th Avenue with W 34th Street on a late afternoon in 1978
42nd Street & 8th Avenue circa 1978.
42nd Street off 7th Avenue in 1978.
7th Ave. towards 49th Street in 1978; see 'Deep throat' and 'Devil in Miss Jones' double-feature.
7th Avenue & 45th Street after a snow fall in February 1979.
Hemsley Building circa 1979
Empire Estate Building looking south along 5th Avenue from Rockefeller Center circa 1980

1960s New York City

Frederick Kelly photo; 'Hannibal' with Victor Mature opened on 15 June 1960.
Empire State building in the smog of 1961 squeezed between two whoppers...
clergy & laity walk the streets of NYC - 'Sweet Charity' opened on 1st April 1969.
Crowd wait the arrival of 1964 on New Year's Eve at Times Square; 'Move over, darling' with Doris Day, James Garner & Chuck Connors opened on 25 December 1963
49th Street towards 6th Avenue in the early 1960s.
Broadway & 49th Street in 1960; assassination attempt on PM Kishi was in 60.
Broadway towards 50th Street in 1962.
The Paramount Theatre was a 3,664-seat movie palace located at 43rd Street & Broadway on Times Square. Opened in 1926, it was a showcase theatre and the New York headquarters of Paramount Pictures. Adolph Zukor, founder of Paramount predecessor Famous Players Film Company, maintained an office in the building until his death in 1976. The Paramount Theatre eventually became a popular live performance venue for the likes of Frank Sinatra etc. The theater was closed in 1964 and its space converted to office and retail use. The tower which housed it, known as the Paramount Building at 1501 Broadway, is in commercial use as an office building and is still home to Paramount Pictures offices. Posted by David Brown at FB. 'Hud' with Paul Newman, Patricia Neal & Melvyn Douglas opened on 29 May 1963.
Broadway & 46th Street in 1965.
5th Avenue & 50th Street - view from the steps of Saint Patrick's Cathedral in 1965.
Times Square-Duffy Square in 1966.
Broadway towards 48th Street circa 1967; "The Prime of Miss Jean Brodie", a 1966 stage play based on the 1961 novel by Muriel Spark, starring Vanessa Redgrave & Olivia Hussey, which later transferred to Broadway starring Zoe Caldwell; Joshua Logan's 'Camelot' based on a play by Alan Jay Lerner opened at the Warner Theatre on 25 October 1967, with Richard Harris, Vanessa Redgrave, Franco Nero & David Hemmings. 
Castro Convertibles store at Times Square (actually Duffy Square) in 1967. Peter S. Alexander wrote on FB: I always thought the name Castro presented in big bold letters in the Square of the city that most represented American capitalism was at once ironic and iconic. As for the recliners and convertibles they could have never fit in my walk up on E 4th St. Marc Landman wrote on FB: We had a Castro, a company started by an Italian immigrant.
Corner of 42nd Street & Fifth Avenue in the Spring of 1968
Broadway & 47th Street in 1970.
Janis Joplin next to Hotel Chesea on 46 West 17th Street, in 1969.